Vol. 7 No. 3

Unnamed 5
Editor's Note
Into Stillness
Naked Parrot
tongue and cheek
Lovesong
Southern Cross
Light
What I Learned Tending the Garden
Pap-Smear
Southern Cross II
At the edge
Sea Grape
Father is A Ghost
My Life as a Painting by Vermeer
Cordillera de los Cóndores
Headlong
The Blue Ribbon
Orotund
Invincible, We Thought
The Weight of You
Notions
China Patterns
Unnamed 1
Curiosity’s End
Near and Farther Suns
Unnamed 2
Dead Letters
Feeding the Dying
Microcosms
Unnamed 3
Museum of Light
August 27, 2017
Unnamed 4
Dolls
Neither the One Who Plants
L'Aventure
Go With the Flow
After the Fireworks
Image 4
Find Me in the Whirlwind
Milkweed
Under The Bridge
On the Road to Oruro, 1995
White Terror
Unsent Letters
Walking on Moss, Iceland
Guardrobe
Eurydice
Adrift with JM
Sinkhole
Better Left Unsaid
When the Crossword Answer Was Grapes but All I Could Think of Was Graves
Not For the Faint of Heart
Better Left Unsaid
How to Teach English Composition at a Community College Near Minneapolis, or How I Teach English Composition at a Community College Near Minneapolis, or How I Imagine I Teach English Composition at a Community College Near Minneapolis, or How I Dream I Teach English Composition at a Community College Near Minneapolis
All There Is To Know
Better Left Unsaid
The Nettles
I Have My Mother’s Thighs, and Other Things
Neil Diamond, Denim Moon
Tinctures and Tonics
Forgotten Headstones
Your New Place
The Concrete Patio
On the Block
Nurses Trying
Kandinsky
Trademark
Once my Mother Cut my Hair in the Kitchen
First Tracks
Colors Passing on By
Do Not Be Afraid to Look into the Light
Dear Bone Mother
Nestle
Elegy for the Renaming
Sad Face Daddy
I Will Leave You With This
Operational

Not For the Faint of Heart

Rushing to the cardiologist down Fury’s Ferry in an Uber
With Eldon listening to Dexy’s Midnight Runners
Belt out Come on Eileen as he slows and half-turns to me
The universal pose for I’m about to ask you a question
To in fact ask me if I know what the lyrics are all about

And I admit ignorance while tapping my feet to the jaunty
Beat of this shiny well-loved oldie but goodie that opens
The door to the early 80s me in Jennie Olson’s basement
Where we spun faster and faster to the urgent horns
Weeks before she moved to Pennsylvania and her brother

Pins me to the Sycamore around back by the empty shed
Midnight after packing the house his tongue spins down
My throat his summer fist feeling up my terry-cloth polo
The one from Lake of the Ozarks Tan-Tar-A Resort shop
To find my private twelve-year-old chest rhythming fear

That night I swore my heart stopped from a swirl of desire
Mixed with disgust and Eldon steers me to his question
Where I’m fifty-three and off to get a boring echocardiogram
Ma’am it’s about the desire to remove her red dress
I chuckle and agree politely that it’s creepy and no one cares

To question familiar things like a best friend’s older brother
Or the heart’s structure because chambers vessels and valves
Clenched into a fist-sized red dress exist to tap and run
Us into existence every morning until something unexpected
From around back tears the artery and splits a problematic flap

I find myself with a stent and follow up with some Dr. Miller
Who unlike Eldon does not show up so it’s Stacy who does
My echo today—Undress from the waist up—half-turned I
Ask how she can read the screen know where to click and drag
For measurements also what are those blue and red splatters

Pollacking about my chest in an iambic jaunt she chuckles
She’s studied the heart for thirty-six years she’s majored
In cardiac imaging that the blue and red are blood cells
From the Doppler just like we see on the Weather Channel
I go quiet thinking of the tiny storms patterned inside me

And ask what she likes about the heart to which she obliges
It’s so small and yet so complex this ever-shifting always
Twisting sexy little pop song of life like adolescence in a way
I offer Stacy who ignores me tapping more keys and staring
At my embarrassing blob of life askew and displayed in gray

Share!