Vol. 7 No. 3

Winter 2024

Unnamed 5
Editor's Note
Into Stillness
Naked Parrot
tongue and cheek
Lovesong
Southern Cross
Light
What I Learned Tending the Garden
Pap-Smear
Southern Cross II
At the edge
Sea Grape
Father is A Ghost
My Life as a Painting by Vermeer
Cordillera de los Cóndores
Headlong
The Blue Ribbon
Orotund
Invincible, We Thought
The Weight of You
Notions
China Patterns
Unnamed 1
Curiosity’s End
Near and Farther Suns
Unnamed 2
Dead Letters
Feeding the Dying
Microcosms
Unnamed 3
Museum of Light
August 27, 2017
Unnamed 4
Dolls
Neither the One Who Plants
L'Aventure
Go With the Flow
After the Fireworks
Image 4
Find Me in the Whirlwind
Milkweed
Under The Bridge
On the Road to Oruro, 1995
White Terror
Unsent Letters
Walking on Moss, Iceland
Guardrobe
Eurydice
Adrift with JM
Sinkhole
Better Left Unsaid
When the Crossword Answer Was Grapes but All I Could Think of Was Graves
Not For the Faint of Heart
Better Left Unsaid
How to Teach English Composition at a Community College Near Minneapolis, or How I Teach English Composition at a Community College Near Minneapolis, or How I Imagine I Teach English Composition at a Community College Near Minneapolis, or How I Dream I Teach English Composition at a Community College Near Minneapolis
All There Is To Know
Better Left Unsaid
The Nettles
I Have My Mother’s Thighs, and Other Things
Neil Diamond, Denim Moon
Tinctures and Tonics
Forgotten Headstones
Your New Place
The Concrete Patio
On the Block
Nurses Trying
Kandinsky
Trademark
Once my Mother Cut my Hair in the Kitchen
First Tracks
Colors Passing on By
Do Not Be Afraid to Look into the Light
Dear Bone Mother
Nestle
Elegy for the Renaming
Sad Face Daddy
I Will Leave You With This
Operational

Editor’s Note

Dear Readers,

Fall is my favorite season. The heat and humidity of summer have given way to cooler, crisper nights. The light is milder, the last warm evenings are tinged in gold. The last fruits have ripened, a few late asters still bloom, the trees let go of their leaves. The milkweed seedpods have burst open and released the seeds on their fluffy parachutes. The title of Kathleen McIntosh’s poem in this issue, “What I learned tending the garden”, resonates with me. The garden has been a patient and wise teacher for me, and it holds many more lessons.

The poems in this issue invite us to walk in the cool of the garden and on moss, listen to snowfall, observe the metamorphosis of a monarch from caterpillar to butterfly. They ponder a bug carcass caught on a window screen, tell of the encounter with a doe in winter.

Several of the poems recall memories: of the treasures a mother brought home from her work in a fabric store; of a walk in the cemetery with grandmother; of a horseshow the morning after the mother had been rushed to the hospital; of a haircut in the kitchen. Autumn invites remembrance and lets us ponder mortality. The yellowing of the leaves foreshadows their falling, breakdown, and transformation into earth, a transformation no less spectacular and beautiful than that from caterpillar to butterfly. Many cultures devote special days to the memory of the ancestors; it is no coincidence that those often happen in the fall.

We write against the forgetting. We preserve memories in poems and stories, try to hold on to what is fleeting. We struggle to make our peace with impermanence. The lessons from the garden help. We witness the miracle of the compost and the mystery of the seed. Endings give rise to beginnings. The wind carries the milkweed seeds into an uncertain future. Gardening is always an exercise in hope.

May you, dear readers, journey through the dark season with hope, and may art and poetry help you with that. Thank you for being here.

Best,

Agnes Vojta

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