Vol. 7 No. 2

Fall 2024

Aperture 4
Editor's Note
My Pointe Shoes and Journals Shared a Box Under My Bed
The White Light of Universal Upload, Etc., Etc.,
Mother-Me
A Portrait of the Patient with Anxiety and Cheshire Cat Grin
Aperture 1
Changing the daisies
Accidental Poetry
Rotaried Darkness
Tocolytic Haze
Le temps [Time]
The Disinfectant Girl
Wildfire
Mimosa Pudica
Le temps [Time]
We tore out the garden
Love Sponge
Screw
La natura non ha fretta (eppure tutto si realizza) [Nature is in no rush (and yet everything gets done)]
Aesthesia
Velvet
Worn
La natura non ha fretta (eppure tutto si realizza) [Nature is in no rush (and yet everything gets done)]
Loss
Spaghetti
Ode to My Brand-Name Birth Control
Unless
Incessant Spring Rain
On My Birthday
Degrees of Separation
Iago
Loves Me Some Pizza
A May Morning
The Refugee Camp
When The Spring Sun Shines
Autobiography of Black and White
The Fourth Dimension
Evolution
Echoes of Elders I
Bedside Manner
What I Fear to Discover
We Use Acetone to Clean Beakers as If We Still Prize Purity
Echoes of Elders II
River Song 2
What Otherwise You Might Forget
Flying Lessons
Echoes of Elders III
Who Were You in a Dream?
Roxbury, 1968
Foresight
Mourning
Pain is a Dagger Burning into my Heart
To a Departed Pekingese
Faces
My Daughter, the Volcano
The Apartment, In Its Resting State
Souvenirs
Day of the Goose
Orchid Shadows
Lugubrious
Hide-and-Seek
When the Girl with the Golden Ball rejects young Ewan McGregor’s praise
Pose of Glances
The sky as we (don’t) know it
The Dustrunners
Changed Landscape
Cherry Blossoms
Passages
Migration
Zephyr Sighs
Little Criminals
In August
The Tree of Life
Glyph Aubade
Gravidas
prayer, it might be called

Passages

Ample make this bed, / Make this bed with awe
                   
—Emily Dickinson

Emergencies are common things.
Today the cat brought home
a tufted titmouse with seed-black eyes,
breast skin stripped, heart pulsing,
body bare as a tongue. My lover
swabs the gore with Q-tips and peroxide.
He wants some cotton thread, a needle
to sew the shreds together,
a clean cloth and quiet box.
Still, the bird will die.

My father’s bed is raised or lowered
at the head and foot by buttons
he insists I push to demonstrate.
Hung high, the TV plays scene
after scene of Wile-E-Coyote plotting
to bomb the Road Runner,
only to find himself charred
by a circular fuse. It comforts us
to think the good guy always wins.
My father, who cannot hold a pen,
is composing a story I transcribe
to enter later into my computer’s memory.
Before I go he lifts his gown to show
the tubes implanted in his gut,
holding me with washed blue eyes.
His skin hangs on his frame like silk.

Leaving the elevator, head lowered, I bolt
down the hall, but workmen have barred
the automatic door, and I can’t get out
this way. I am not prepared for detours.

At home, I discover hidden in the grass
a pair of thin dun feathers tipped in gold,
gather them to adorn my traveling hat.

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