Vol. 7 No. 2

Fall 2024

Aperture 4
Editor's Note
My Pointe Shoes and Journals Shared a Box Under My Bed
The White Light of Universal Upload, Etc., Etc.,
Mother-Me
A Portrait of the Patient with Anxiety and Cheshire Cat Grin
Aperture 1
Changing the daisies
Accidental Poetry
Rotaried Darkness
Tocolytic Haze
Le temps [Time]
The Disinfectant Girl
Wildfire
Mimosa Pudica
Le temps [Time]
We tore out the garden
Love Sponge
Screw
La natura non ha fretta (eppure tutto si realizza) [Nature is in no rush (and yet everything gets done)]
Aesthesia
Velvet
Worn
La natura non ha fretta (eppure tutto si realizza) [Nature is in no rush (and yet everything gets done)]
Loss
Spaghetti
Ode to My Brand-Name Birth Control
Unless
Incessant Spring Rain
On My Birthday
Degrees of Separation
Iago
Loves Me Some Pizza
A May Morning
The Refugee Camp
When The Spring Sun Shines
Autobiography of Black and White
The Fourth Dimension
Evolution
Echoes of Elders I
Bedside Manner
What I Fear to Discover
We Use Acetone to Clean Beakers as If We Still Prize Purity
Echoes of Elders II
River Song 2
What Otherwise You Might Forget
Flying Lessons
Echoes of Elders III
Who Were You in a Dream?
Roxbury, 1968
Foresight
Mourning
Pain is a Dagger Burning into my Heart
To a Departed Pekingese
Faces
My Daughter, the Volcano
The Apartment, In Its Resting State
Souvenirs
Day of the Goose
Orchid Shadows
Lugubrious
Hide-and-Seek
When the Girl with the Golden Ball rejects young Ewan McGregor’s praise
Pose of Glances
The sky as we (don’t) know it
The Dustrunners
Changed Landscape
Cherry Blossoms
Passages
Migration
Zephyr Sighs
Little Criminals
In August
The Tree of Life
Glyph Aubade
Gravidas
prayer, it might be called

Day of the Goose

On the storybook page where the grandmother puts a finger to her
          chin,
glances out the window at the star-speckled dark and contemplates,

where the setter sleeps at the foot of the stairs, and the cat in step
with the children follows them up to bed, where the big clock bathes

in the firelight, and the magical farm in middle America silvers
itself into slumber, I wonder what thoughts adrift will collect

enough stardust to catch the bow of your lips when you smile,
tamed into questions. You’ve just put our boy to bed, and we’re both

tired in our shoulders and necks, though you’ve stretched on the
          purple
yoga mat, the second trimester motions more reserved

than the first—except for the still-deep squats to prepare
for birth, to ease it along—and I can’t imagine we’ve left

the gate unlocked again, much less compose a response.
But you do your best thinking in the shower at night,

and I agree it’s here among our bathroom’s faux brass
fixtures scuffed through years of someone else’s use,

my feet pressed into the carpet’s rough piles—
who carpets a bathroom, and who will replace it—

that we’re most likely to puzzle out our next child’s name,
the big to-do’s, the reasons we know our love will outlast

any ten-year slump, and the secret flavor of the longings we’ve yet
to uncrate, to sample and staple down at the baseboards.

When our goose gets loose, I dream the dream that we’re pretending
to be tired, the way our son pretends to nap for a moment,

then shakes his head with the loud and vigorous question, “Wake?”
You and I nestle in each other’s arms, facing together

and away in a tornado of sheets that lofts us above the horse
as it gazes with disinterest at the defenestrated toilet, the day’s

storybook disasters, our own shingles, split and sublime.
There is no last page. The tableaux of children at bedtime—

on winged horses or with swords pointed at a troll’s neck,
or turning the page in a yellowed book with a wizard in a tower,

moon-white on the edge of a pond where a snake moils—
is not a page, but a scroll for us to unfurl.

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