Vol. 7 No. 2

Fall 2024

Aperture 4
Editor's Note
My Pointe Shoes and Journals Shared a Box Under My Bed
The White Light of Universal Upload, Etc., Etc.,
Mother-Me
A Portrait of the Patient with Anxiety and Cheshire Cat Grin
Aperture 1
Changing the daisies
Accidental Poetry
Rotaried Darkness
Tocolytic Haze
Le temps [Time]
The Disinfectant Girl
Wildfire
Mimosa Pudica
Le temps [Time]
We tore out the garden
Love Sponge
Screw
La natura non ha fretta (eppure tutto si realizza) [Nature is in no rush (and yet everything gets done)]
Aesthesia
Velvet
Worn
La natura non ha fretta (eppure tutto si realizza) [Nature is in no rush (and yet everything gets done)]
Loss
Spaghetti
Ode to My Brand-Name Birth Control
Unless
Incessant Spring Rain
On My Birthday
Degrees of Separation
Iago
Loves Me Some Pizza
A May Morning
The Refugee Camp
When The Spring Sun Shines
Autobiography of Black and White
The Fourth Dimension
Evolution
Echoes of Elders I
Bedside Manner
What I Fear to Discover
We Use Acetone to Clean Beakers as If We Still Prize Purity
Echoes of Elders II
River Song 2
What Otherwise You Might Forget
Flying Lessons
Echoes of Elders III
Who Were You in a Dream?
Roxbury, 1968
Foresight
Mourning
Pain is a Dagger Burning into my Heart
To a Departed Pekingese
Faces
My Daughter, the Volcano
The Apartment, In Its Resting State
Souvenirs
Day of the Goose
Orchid Shadows
Lugubrious
Hide-and-Seek
When the Girl with the Golden Ball rejects young Ewan McGregor’s praise
Pose of Glances
The sky as we (don’t) know it
The Dustrunners
Changed Landscape
Cherry Blossoms
Passages
Migration
Zephyr Sighs
Little Criminals
In August
The Tree of Life
Glyph Aubade
Gravidas
prayer, it might be called

The Refugee Camp

Shipping crates for houses, some stamped
Fragile. Handle with Care.

Others tattooed with numbers,
a red arrow pointing to a gap in the roof.

At night, starlight for lamps,
sprinkled like salt over the plain.

There, a mother cooks in the moment,
wishing for chimneys, a sky full of smoke,

a pan to fry fish—her kitchen is now
only a gaping pit in the ground.

She mixes honeysuckle and water in tin cups
for her children to drink at the table

of prayers; gives her daughter a tube
of red lipstick so she can taste

its cherry sweetness; then dresses them all
in bird feathers and beads at bedtime.

Ingenuity, they say, is not obsolete
in wartime. There are labels attached

to the most obvious—a crate is a crate,
bird feathers are bird feathers—

until removed—surrendering
to what becomes an uncompromising condition.

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