Vol. 7 No. 2

Fall 2024

Aperture 4
Editor's Note
My Pointe Shoes and Journals Shared a Box Under My Bed
The White Light of Universal Upload, Etc., Etc.,
Mother-Me
A Portrait of the Patient with Anxiety and Cheshire Cat Grin
Aperture 1
Changing the daisies
Accidental Poetry
Rotaried Darkness
Tocolytic Haze
Le temps [Time]
The Disinfectant Girl
Wildfire
Mimosa Pudica
Le temps [Time]
We tore out the garden
Love Sponge
Screw
La natura non ha fretta (eppure tutto si realizza) [Nature is in no rush (and yet everything gets done)]
Aesthesia
Velvet
Worn
La natura non ha fretta (eppure tutto si realizza) [Nature is in no rush (and yet everything gets done)]
Loss
Spaghetti
Ode to My Brand-Name Birth Control
Unless
Incessant Spring Rain
On My Birthday
Degrees of Separation
Iago
Loves Me Some Pizza
A May Morning
The Refugee Camp
When The Spring Sun Shines
Autobiography of Black and White
The Fourth Dimension
Evolution
Echoes of Elders I
Bedside Manner
What I Fear to Discover
We Use Acetone to Clean Beakers as If We Still Prize Purity
Echoes of Elders II
River Song 2
What Otherwise You Might Forget
Flying Lessons
Echoes of Elders III
Who Were You in a Dream?
Roxbury, 1968
Foresight
Mourning
Pain is a Dagger Burning into my Heart
To a Departed Pekingese
Faces
My Daughter, the Volcano
The Apartment, In Its Resting State
Souvenirs
Day of the Goose
Orchid Shadows
Lugubrious
Hide-and-Seek
When the Girl with the Golden Ball rejects young Ewan McGregor’s praise
Pose of Glances
The sky as we (don’t) know it
The Dustrunners
Changed Landscape
Cherry Blossoms
Passages
Migration
Zephyr Sighs
Little Criminals
In August
The Tree of Life
Glyph Aubade
Gravidas
prayer, it might be called

Autobiography of Black and White

after Omotara James

You live in Richmond, California, known
          for warships and the Pullman yard, and
                    the triangle where cars with boys
                            
grown kill other boys. You house is
                    small enough for four of you, middle
          of the block. Your father tore down
the gate he built attached to the fence
          so you can see anyone hiding and
                    you have a dark-skinned friend who wears
                              unruled hair in pigtails, light purple
                    stretch shirt tucked into stretch pants,
          and you play games, and you are narrow
and light colored with braces and nighttime
          head-gear. There are other girls. Across
                    the street you discover a friend’s room,
                              but the front door slams and a voice,
                    her father’s voice, and her brother,
          sounds like wind suffocating, like
metal skates, metal teeth. You ride the school bus
          up the hill because the nearer playground,
                    you’re thrown, bits of flattop embed your
                              forehead, and on the bus you’re the only
                    white girl, see-through book bag,
          pencils clattering like locusts dry-winged.
When you speak you’re a black and white tv
          headlining birth rate and cures and I Love Lucy,
                    and when you speak you’ve already lived half
                              your life and you don’t speak
                    just think so, flocked and bartered
          in the words of the boy sitting behind you
saying what he said long forgotten. In the schoolyard you
          sit with other quiet white girls, and at the end
                    of recess a black girl tells you to stay,
                              throws the ball Get it, and you run and late
                   
to class the teacher makes you make sense,
          last chair in back. At home, a black friend
holds dolls in the room she shares with her sister,
          nappy hair, round lace collars
                    and we hold them she holds hers
                              you don’t hold yours, on the patio where white
                   
metal leaves have wrought the wrong,
          color shouldn’t they be green. When your aunt
teaches you to crochet with multi-color yarn—
          orange, pink, yellow—no black or white,
                    and you yarn a hat, a scarf constructs shapes
                              for how to live, how you’ll keep running
                    after the ball like the sun around the earth,
          so much forgotten in feathers attached to you,
stick-pins holes hidden you hide, hair pony-tailed
          who you are decided by school districts
                    and parents, and other kids who keep
                              you in a neat and quiet purse
                                        more no more.

 

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