Vol. 7 No. 2

Fall 2024

Aperture 4
Editor's Note
My Pointe Shoes and Journals Shared a Box Under My Bed
The White Light of Universal Upload, Etc., Etc.,
Mother-Me
A Portrait of the Patient with Anxiety and Cheshire Cat Grin
Aperture 1
Changing the daisies
Accidental Poetry
Rotaried Darkness
Tocolytic Haze
Le temps [Time]
The Disinfectant Girl
Wildfire
Mimosa Pudica
Le temps [Time]
We tore out the garden
Love Sponge
Screw
La natura non ha fretta (eppure tutto si realizza) [Nature is in no rush (and yet everything gets done)]
Aesthesia
Velvet
Worn
La natura non ha fretta (eppure tutto si realizza) [Nature is in no rush (and yet everything gets done)]
Loss
Spaghetti
Ode to My Brand-Name Birth Control
Unless
Incessant Spring Rain
On My Birthday
Degrees of Separation
Iago
Loves Me Some Pizza
A May Morning
The Refugee Camp
When The Spring Sun Shines
Autobiography of Black and White
The Fourth Dimension
Evolution
Echoes of Elders I
Bedside Manner
What I Fear to Discover
We Use Acetone to Clean Beakers as If We Still Prize Purity
Echoes of Elders II
River Song 2
What Otherwise You Might Forget
Flying Lessons
Echoes of Elders III
Who Were You in a Dream?
Roxbury, 1968
Foresight
Mourning
Pain is a Dagger Burning into my Heart
To a Departed Pekingese
Faces
My Daughter, the Volcano
The Apartment, In Its Resting State
Souvenirs
Day of the Goose
Orchid Shadows
Lugubrious
Hide-and-Seek
When the Girl with the Golden Ball rejects young Ewan McGregor’s praise
Pose of Glances
The sky as we (don’t) know it
The Dustrunners
Changed Landscape
Cherry Blossoms
Passages
Migration
Zephyr Sighs
Little Criminals
In August
The Tree of Life
Glyph Aubade
Gravidas
prayer, it might be called

The Disinfectant Girl

In the courtyard the first white apple petals float up and out of sight,
stolen by the breeze. From his bed he observes these small
          ecologies.

Though they long for each other the petals miss the earth.
There is a black growth in the damp corner of the window.

He watches an ant carry away a crumb from his tray.
No more come. He waits

under his blankets as the girl wheels in her sterile cart.
As she works he asks her again about southern California,

the same way he asks others about Montana or the Louvre.
She tells him how warm it is there, bluer, the flowers bleed color,

how she feels light and whole lying naked in the sand.
She tells him the cold bothers her the way it bothers mold: she
          grows but slowly.

The infusion of bleach makes him sneeze – explosions like gunfire
in old war movies. While she cleans he floats Kleenex into the
          basket.

“The sun is bright,” he says. “I see the wind is from the south. Is it
          warmer today?”

“Not enough,” she replies, sponge dripping, wiping tile.

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