Having two other older children as practice,
My mother already understands that me, currently in the backseat,
Who shyly climbed into the family minivan and let loose
The loudest of sighs, indicating without words,
That I am not in the mood to talk at this moment.
She has no favorites and loves each child no more than the other,
But love comes in different forms and shades, and she does love
differently.
For one child, she’s a therapist, reflecting in dialogue
Complex issues that may not have an easy answer, but simple ones.
For another, she’s a hype man, building up confidence in a child
Whose self-esteem swings back and forth in the form of a preteen
pendulum.
For me, who she has known my entire existence,
I will never disclose if there was a problem at school or with a girl,
Or if I had a bad practice. She just understands that all I would like
Is to sit in silence for the twenty-minute ride back to the house.
I look out the window as late September sunlight surges into
darkness,
Seeing other drivers, who look back at me with stern faces,
As if they’re telling, don’t look at me unless you’ll remember me.
I just close my eyes in the back seat and let out an afternoon yawn.
I finally spoke up and asked if she could change the station
To my favorite sports radio show,
And she obliges, despite her disdain
For meathead shock jocks talking about overpaid jocks,
Because that is the best way she can display her form of love to me
right now.
The Drive Back Home from School with Mom
Matthew Johnson is the author of Shadow Folks and Soul Songs (Kelsay Books) and Far from New York State (NYQ Press), as well as the chapbook, Too Short to Box with God (Finishing Line Press), which recently went on preorder sale. His work has appeared in Front Porch Review, Roanoke Review, Northern New England Review, Third Wednesday, and elsewhere. Recipient of Best of the Net and Pushcart Prize nominations, he’s the managing editor of The Portrait of New England and poetry editor of The Twin Bill. matthewjohnsonpoetry.com