When a spring snowstorm turned the world white
on the day of a wedding, the light from the windows
illumined a guest with flamingo-pink hair. A wavelength
of color, a beautiful hue, that emerged in the photos
as garish hot pink, seducing the eye of the viewer
away from the bride. In some pictures of me with my children,
I paper-punched my face out, each perforation the ghost
of an unlovely likeness, leaving a scatter of Os in the album,
a series of moms with no vowel. On my first wedding day,
a freak snowstorm with thunder and lightning: weird
weather, we joked, that must be a sign from the gods.
Perception is fickle. In my forties and fifties I harangued myself
as not slim enough and already grown old, whereas what I see now
in photos of me are dark brows on the wing above eyes
the rich brown of a newly turned field, and lips, then despised
as too thin, fulsome with laughter and speech. The yellow O
of the sun in drawings of children belies its true color, white,
as revealed in the prismatic light of the rainbow. A mirrored
reflection,
however pleasing, is of the moment, while photos make permanent
every unflattering angle and grimace. No color at all at my wedding,
only a black-and-white snapshot of us as we stood,
he trim in his Air Force blues, I in my too-tight dark dress,
on the sidewalk in front of that midwestern courthouse,
before the storm.
Photographs
Sharon Whitehill is a retired English professor from West Michigan now living in Port Charlotte, Florida. In addition to poems published in various literary magazines, her publications include two scholarly biographies, two memoirs, two poetry chapbooks, and a full collection of poems. Her chapbook, THIS SAD AND TENDER TIME, is due out winter 2024.