My father’s father is preaching,
one palm raised, the book he believed
was the language of creation
held reverently in his hand the way
one cradles a dying thing close,
those long fingers that could sunder
the small, hardened brain of a walnut
to soft meat caressing its leather.
Did he hold my wailing head
this fervently, my supple skull
crammed with its nascent fold
of blank pages? Every time I feel
an urge to pray I remember touching
his icy, powdered face. My sister
ensconced in that highchair of arms.
Her kindergartener’s grief. For weeks
I bunked in the bubble gum pink cathedral
of her room, mine so foggy with death
a mural of sailboats across one wall bobbed
atop its water. There on a tide of sheets
my father’s father slipped out to sea,
eating the bread of himself until
only a heart shadowed the memory
of body. I didn’t understand his desire
to not taste then, why every morning
my mother placed each fresh temptation
of apple atop that book like an offering
to the bed. The vigils the living keep.
I kissed the crackling parchment of him
before school, snuck the gift pressed
to my palm like forbidden knowledge
onto a teacher’s desk. What isn’t written
about any genesis is how quiet it is
after a flood. The way the skies clear.
Just a few days ago that sodden cradle
in the street had rocked its newborn,
the rain falling and falling outside.
I want to say to him: do not preach
to me of doves. I want to know why
they drowned, lullabies in their mouths.
Why any faithful disciple still follows
the light of their once sun even after
it absconds from heaven.
In the Photo
Gus Peterson lives and writes in Maine. Work has appeared online with Rattle’s Poets Respond Series, Black Nore Review, Bracken, Panoply, Rust + Moth, and Hole in the Head Review. He serves on the board of the Maine Poets Society, a nonprofit organization dedicated to bringing poetry to all Maine residents.