There had been a clue for getting out.
But in these later days, large portions of life
get lost in the wide cracks between events,
and memory itself twists into a labyrinth.
How many corners did I turn in Paris—some with you,
some with others from a past so distant
none of its light can reach our telescopes?
Shadows crawl over wallpaper
smudging its design and images to a fog,
seep into details of the crown molding
until they’re nondescript as night.
I never expected my mind to become a maze
with shifting walls and floors, shuffling mementos
until their meanings change.
There used to be a vase of peonies along this hall,
I think. Or maybe that was downstairs by the phone.
The souvenir of our time in Florence
was placed in a cupboard for so long, the dailiness
of the other cups rubbed onto it.
I once held your hand all night as we slept,
only to wake and realize you were someone else,
or I was.
There’s a bamboo box on a shelf by the sink,
a reliquary of objects from long ago
meant to conjure places and people.
Here’s a newspaper clipping, a lacquered Russian egg,
a plastic horse pendant. But their magic
no longer calls to me, echoes I’m too far away
to hear—long faded to silence.
Even this piece of thread, golden, so finely woven:
I think it was supposed to lead me somewhere.
Theseus in Old Age
Michael T. Young’s third full-length collection, The Infinite Doctrine of Water, was longlisted for the Julie Suk Award. His previous collections are The Beautiful Moment of Being Lost and Transcriptions of Daylight. He received a Fellowship from the New Jersey State Council on the Arts. His chapbook, Living in the Counterpoint, received the Jean Pedrick Chapbook Award. His poetry has been featured on Verse Daily and The Writer’s Almanac. It has also appeared in numerous journals including One, Pinyon, Valparaiso Poetry Review and Vox Populi.