The children clustered in the castle, buoyed
by keeping childhood’s minor secrets
Maybe they did not know one another’s names,
only the shapes of their bodies bounding
and ungrave
Parents grouped like dim tally marks
on the outskirts of consciousness,
held off by the castle’s completeness in itself
When we consider the cruelty of the old gods
we wonder whether they embodied
nature’s indifference or created it
For a moment, the wind waited
It did not. Don’t speak of wind
as volition or of castle as metaphor
for safety, for its illusion,
for its impermanent reality
Don’t speak of the children who rose with the castle
when the wind gusted, who fell
as it tilted towards the retreating earth,
opening its mouth. Don’t
speak of them as fated
Don’t say any child who moments
before left the castle — to pee, for a drink,
needing her shoelace tightened —
is loved more or less by destiny
Language
ascribes purpose to any horror
I don’t stop imagining how
the bouncy castle rose and the mothers
ran towards it screaming
ran towards their children
returning at terminal velocity
same as any object in space
Bounce Castle
Elizabeth Sylvia (she/her) lives with her family in Massachusetts, where she teaches high school English and coaches debate. She is the winner of the 2021 3 Mile Harbor Book Prize and her manuscript None But Witches: Poems on Shakespeare’s Women will be published in 2022. Elizabeth’s work is upcoming or has recently appeared in Mom Egg Review, Slipstream, Crab Creek Review, Pleiades, and other wonderful journals. She is currently working on poems about gardening through the end of the world with her imaginary friend Marie Antoinette.