The shape appears on the side of our old barn
where a patch of shadow has left an impression
into the grey, weather-beaten wood. It was made
by an oak tree— older yet, with branches elegantly
arched like woody umbrellas, standing before the barn,
casting a remarkably female form into the wall
like a sun print, the subtraction of light illuminating
that familiar pear-shaped organ with two stems that
sprout from the sides into round, ovary-like circles.
I remember how we once wrapped chains around
the dangling legs of a Jersey calf— half born
from his mother, stuck between this side and the other
side of the moon, pulled him with the tractor onto the floors
where he lay in a pool of fluids and blood, eyes open,
stunned until his mother woke him with her lowing.
Beneath the shadows, there is a mother inside
every living and unliving thing—her image branded
into our sides, her shape the mold we had to break,
the sound of her calling resonating into our bones,
heavy in the rays of midday sun.
Ekphrasis of A Uterus
A 2021 Pushcart Nominee, Erica Manto Paulson’s poems have appeared in Thimble Literary Magazine, Sheila Na Gig, the Northern Appalachia Review, Slippery Elm, and elsewhere. Her work has also been featured on NPR’s “Conrad’s Corner” (WYSO). Erica’s first chapbook, Hunger, was published by Finishing Line Press in 2021. An Ohio native, Erica is a homebirth midwife assistant and doula, which drives her ongoing obsession with birth in its many forms. She finds inspiration for her poetry in the fertile fields of her home state, drawing on a deep connection to the surrounding world.