Buttons, coins, paper clips
I slipped into my mouth; although
my parents warned of choking and germs,
I couldn’t stop tasting the world.
I must have been three or four
when I sucked a butterfly ring,
bright plastic from a Winn Dixie
quarter machine, into my throat.
It lodged firm, like a bad idea.
Mom was resting in her room,
recovering from surgery
to remove her gall bladder, the scar
a red gash across her belly.
Heaving, trying to cough, I tried
her locked knob, pounded the door
until she opened it and found
me clawing at my neck. I wonder
what color I’d turned by then. Scarlet?
Purple? How quickly she rejected
the Heimlich, which would tear her open;
instead, she jabbed a long finger
down my throat. I gagged, pulled
away, but she seized my arm,
stabbing with her long nail,
hooking and skewering until
she poked the ring further down
and I was able to swallow it.
We stood, or maybe fell, panting
in that hallway, angry and grateful,
both of us too hurt to speak.
How It Is Between Us
Juliana Gray’s third poetry collection is Honeymoon Palsy (Measure Press 2017). Recent poems have appeared in or are forthcoming from Atticus Review, Pine Hills Review, Poetry Northwest, and elsewhere. An Alabama native, she lives in western New York and teaches at Alfred University.